Stanley can reach an evocative conclusion about the relative

 Stanley Kubrick’s A Clockwork
Orange (1971) was a big commercial and critical hit in
the US and also the focus of a major
controversy. In general The film
explores the difficulties of unification the conflict
between social order and individual
exercises his freedom to be a vicious thug until the State turns him into a
harmless zombie no longer able to choose between
and evil.
Clockwork Orange has received worldwide
acclaim as an important work of art. The Belgian film
critics gave it their award. It was chosen by the New York Film
Critics as the Best Film of the year, and Stanley Kubrick received the Best
Director award It received four USA Oscar nominations and seven British Academy
Award nominations. It won the Italian David Donatello
award. It won the German Spotlight award It won the Hugo award for the Best
Science-Fiction movie. Many of the film’s detractors were
worried about the possibility that it could stimulate violent
behavior in the audience. Stanley Kubrick’s Clockwork
Orange became a major box office hit. In an
interview with Stanley Kubrick, Michel Ciment
a French film critic asked the director (1981) “How do you
explain the kind of fascination that Alex
exercises on the audience?” he answers “No one is
corrupted watching A Clockwork Orange any more
than they are by watching Richard III”. it also encountered a lot
of criticism for its explicit depiction of violence
and sex and for what was perceived to be at
best the absence of amoral framework for the depictions, and at
worst a celebration of the film’s amoral protagonist (cp. Staiger
2003 and Krämer 2011,
pp. 31-3, 87-108). The violence in the story has to be given
sufficient dramatic weight so that the moral dilemma it poses can be seen in
the right context. It is absolutely essential that Alex is seen to be guilty of
a terrible violence against society so that when he is in the end transformed
by the State Government into an innocuous man you can reach an evocative
conclusion about the relative rights and wrongs


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