p.p1 Conceptual artistsalike. In other words, rather thancreate for

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Sources found: all sources22.28%www.theartstory.org7.55%brainly.comMarcel DuChamp once said”I don’t believe in art. I believe inartist.” In his insistence that art shouldbe driven by ideas above all, MarcelDuchamp is generally considered tobe the father of Conceptual Art.Marcel DuChamp was born in 1887to a family of artists. He was raisedin Normany, France, where he playedchess, enjoyed reading, painting, andmusic.He joined his older brothers in Paristo study painting at the AcademieJulian. He really seemed to enjoy theinfluences of Fauvism, Cubism, andImpressionism. But he was captivatedby new approaches to color andstructure. He reordered reality, ratherthan simply representing it.He was most attracted to avantgardenotions of the artist as an antiacademic,which is rather ironic thatI am creating an essay on his life.Seems to me he’d find this a strangejuxtapose!On another note, DuChamp lovedthe mysterious allure of symbolismand exploration of sexual identityand desire. These interests led him toDadaism and surrealism. One thingthat I find most interesting is thatrather than being influenced by otherpainters, he found greater influencein writers. This cross-pollination is abrilliant approach to making art.By the end of the 1920s, he’d hadenough of the art world, yet remaineda passive, yet influential presence toNew York Avant-Garde artists. Somuch so, that he was “rediscovered”by Robert Rauschenberg and JasperJohns. DuChamp became cementedin art history when he embraced hisassociation with Dadaism, which wasa precursor to Fluxus Art.Duchamp’s insistence that art shouldbe an expression of the mind ratherthan the eye or the hand spoke toMinimalists and Conceptual artistsalike. In other words, rather thancreate for beauty, see the beautyin the ordinary, and express that.Brilliant.He passed away at his home inFrance in 1968.
 Marcel DuChamp once said 
“I don’t believe in art. I believe in artist.” In his insistence that art should be driven by ideas above all, Marcel Duchamp is generally considered to be the father of Conceptual Art. 
Marcel DuChamp was born in 1887 to a family of artists. He was raised in Normany, France, where he played chess, enjoyed reading, painting, and music. 
He joined his older brothers in Paris to study painting at the Academie Julian. He really seemed to enjoy the influences of Fauvism, Cubism, and Impressionism. But he was captivated by new approaches to color and structure. He reordered reality, rather than simply representing it. 
He was most attracted to avant-garde notions of the artist as an anti-academic, which is rather ironic that I am creating an essay on his life. Seems to me he’d find this a strange juxtapose! 
On another note, DuChamp loved the mysterious allure of symbolism and exploration of sexual identity and desire. These interests led him to Dadaism and surrealism. One thing that I find most interesting is that rather than being influenced by other painters, he found greater influence in writers. This cross-pollination is a brilliant approach to making art. 
By the end of the 1920s, he’d had enough of the art world, yet remained a passive, yet influential presence to New York Avant-Garde artists. So much so, that he was “rediscovered” by Robert Rauschenberg and Jasper Johns. DuChamp became cemented in art history when he embraced his association with Dadaism, which was a precursor to Fluxus Art. 
Duchamp’s insistence that art should be an expression of the mind rather than the eye or the hand spoke to Minimalists and Conceptual artists alike. In other words, rather than create for beauty, see the beauty in the ordinary, and express that. Brilliant. 
He passed away at his home in France in 1968. 

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